SoundCtrl » technology http://www.soundctrl.com/blog Where Music and Tech Meet Tue, 30 Apr 2013 14:00:04 +0000 en hourly 1 http://wordpress.org/?v=3.3.1 Game Of Tones, Learn to Play The Actual Guitar http://www.soundctrl.com/blog/2013/04/30/game-of-tones-learn-to-play-the-actual-guitar/ http://www.soundctrl.com/blog/2013/04/30/game-of-tones-learn-to-play-the-actual-guitar/#comments Tue, 30 Apr 2013 14:00:04 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8160 By Greg Kumparak via TechCrunch “Hot damn, the Disrupt NY 2013 Hackathon was great. Even with the hackathon over and the winner declared (Way to go, Rambler!), we keep finding more projects we want to highlight. Built in just 24 hours, Game Of Tones is a proof-of-concept game that, with a bit of work, could [...]

By Greg Kumparak via TechCrunch

“Hot damn, the Disrupt NY 2013 Hackathon was great. Even with the hackathon over and the winner declared (Way to go, Rambler!), we keep finding more projects we want to highlight.

Built in just 24 hours, Game Of Tones is a proof-of-concept game that, with a bit of work, could teach you to play the actual guitar (versus, say, Rock Band — which, while a great game, is about as effectiv

Game Of Tones works in unison with a real-life electric guitar, paired to the computer through a line-in converter. As you strum, notes are fired from the neck of your on-screen hero’s guitar. Different chords result in different attacks, currently represented as notes of different hues. Strum an A, and blue notes fire out; strum an E, and red notes are fired…

The team says they’d like to expand the concept into something more, mentioning the possibility of some sort of forever-runner platformer with enemies vulnerable to different chords, or a multiplayer shredding battle.”

Check out the demo and the full post on www.techcrunch.com

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http://www.soundctrl.com/blog/2013/04/30/game-of-tones-learn-to-play-the-actual-guitar/feed/ 0 Announcing the 2013 FlashFWD Nominees – Vote For Your Favorites Now http://www.soundctrl.com/blog/2013/04/26/announcing-the-2013-flashfwd-nominees-vote-for-your-favorites-now/ http://www.soundctrl.com/blog/2013/04/26/announcing-the-2013-flashfwd-nominees-vote-for-your-favorites-now/#comments Fri, 26 Apr 2013 14:00:39 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7994 SoundCtrl is proud to announce our nominees for the 4th Annual FlashFWD Awards – honoring excellence and innovation in music technology. Every year, we’re excited by the steady and explosive growth of technology that is changing the ways we create, perform, discover and listen to music. Since the inception of FlashFWD in 2010, we’ve seen [...]

SoundCtrl is proud to announce our nominees for the 4th Annual FlashFWD Awards – honoring excellence and innovation in music technology.

Every year, we’re excited by the steady and explosive growth of technology that is changing the ways we create, perform, discover and listen to music. Since the inception of FlashFWD in 2010, we’ve seen the industry shift, adjust and evolve many times over.

This year, there are simply too many companies and individuals we wanted to recognize. We feel compelled open up the conversation to you – the artist, the fan, the influencer – who do you think deserves a 2013 FlashFWD Award?

Submit your vote for each of our six categories through our 2013 ballot hosted right HERE on SoundCtrl!

Best in Discovery | Best in Live | Best in Mobile & Tablet

Best in Artist Support | Best in Gaming | SoundWAV Influencer Award

See if your favorites make the cut on Wednesday, May 22nd at the Gramercy Theatre where we will welcome nominees, artists, entrepreneurs, and industry elite to celebrate our 2013 honorees, with special performances by guests TBA.

The voting period ends in two weeks and honorees will be announced in May. Congratulations to all our nominees and looking forward to another amazing FlashFWD season!

To check out what went down in 2012, visit our recap HERE and check out what past winners think about FlashFWD HERE.

If you’d like to receive a press pass and/or interview the SoundCtrl board about the event, please email [email protected].

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Best in Discovery: Past honorees include Spotify (2012), The Echo Nest (2011), Hype Machine (2010)

Recognizing a product or service that has most significantly impacted and improved the way fans discover and share recorded music

1) Songza 2) NPR Music 3) YouTube 4) Mixify 5) Rap Genius

Best in Live: Past honorees include Square (2012), The Creator’s Project (2011)

Recognizing a product, service or organization that has most significantly improved the live concert experience from either a fan or artist perspective

1) Boiler Room 2) V Squared Labs 3) Superfly Presents 4) ID&T

Best in Mobile & Tablet: Past honorees include Snibbe Interactive for Biophilia (2012), SoundTracking (2011)

Recognizing a product or service that is breaking new ground in mobile technology and expanding upon traditional fan engagement

1) Pheed 2) Groovebug 3) Biobeats 4) Instagram

Best in Artist Support: Past honorees include BandPage (2012), SoundCloud (2011), Indaba Music (2010)

Recognizing a product or service that focuses on giving artists more options in creating and promoting their music independently

1) Tumblr 2) Jamplify 3) PledgeMusic 4) (New) Myspace

Best in Gaming: A Brand New Category

Recognizing a game, creator or organization that demonstrates innovation in music integration with a gaming platform, be it through soundtrack, virtual marketplace, or unique partnership.

1) Video Star App 2) SoundPlay by Pitchfork 3) Kinect for XBOX 360 4) Virgin Gaming

SoundWAV Influencer Award: Past honorees include Scooter Braun (2012), Troy Carter (2011)

Recognizing an individual who has significantly impacted digital music culture through the early adoption or creation of new technology and is seen as a visionary and voice in the music tech industry

1) Bill Werde 2) Jimmy Iovine 3) Amanda Palmer 4) Guy Oseary 5) Questlove

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http://www.soundctrl.com/blog/2013/04/26/announcing-the-2013-flashfwd-nominees-vote-for-your-favorites-now/feed/ 3 Soundwave Discovery App now in Beta http://www.soundctrl.com/blog/2013/04/24/soundwave-discovery-app/ http://www.soundctrl.com/blog/2013/04/24/soundwave-discovery-app/#comments Wed, 24 Apr 2013 14:00:43 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8113 By Kira Grunenberg Soundwave, a fledgling company based out of Dublin, Ireland, has stepped into the digital music arena with their namesake app. They offer music listening, discovery, liking and sharing, much like any other music app out on the market already – but Soundwave has got the formula laid out in a surprisingly different [...]

By Kira Grunenberg

Soundwave, a fledgling company based out of Dublin, Ireland, has stepped into the digital music arena with their namesake app. They offer music listening, discovery, liking and sharing, much like any other music app out on the market already – but Soundwave has got the formula laid out in a surprisingly different and very cool way.

Much in the way that Twitter has – for better or worse – led to a greater importance of the speed of dissemination of information, Soundwave’s “Music Map” feature also emphasizes instantaneous awareness and real-time coexistence of music through the world’s digital devices. Anyone logged into and actively scrolling through Soundwave will see artists and songs in the feeds of those they follow. The songs shown are often playing at that very moment, and the rest is backlog of what one’s followers were listening to farther in the past as one scrolls downward. The map feature turns the user into that of a virtual musical jet-setter. 

Want to see what’s playing, this very second, in all of Africa? Hit the “draw” button on the map and a free form tool activates, converting the drawing of a simple circle with one’s finger, into a designated search area. Soundwave refers to these as “sound circles.” If there are any Soundwave users within the hand drawn area, Google Maps-style dropped pins appear and one can either zoom in, to see exactly where the music is active, tap the pins right from the map to see the where each song is playing right off the map, or, hit the results tab and see the songs in list form for immediate perusal. Might not seem like much of an adventurous undertaking at first but, just start exploring the world –by continent, country or crowded metropolis, and it becomes very hard to pull away.

Despite the internet’s reach, the fact that it still takes a considerable amount of effort or communication simply to find out what native artists are popular in another country says a lot about how segmented the global music scene still feels –particularly when searching within the US.

Once a user has compiled a sizable feed full of likes they have put on others’ tracks, “giving back” and building one’s own library might incite a bit of frustration. “Where’s the upload button?” “Where’s the mic feature to identify and convert music playing at my local bar?” Soundwave has neither of these. This begs the question of how tracks come to be in the app at all. The answer is that there are no buttons or converters to deal with whatsoever. (It took me a little while to figure this out because I skipped the initial intro pages, believing the interface would be self-explanatory). The only requirement to build oneself up as an avid Soundwave user, is to listen to music. That’s it –really. The only catch to that is that the music has to be played on the device loaded with the Soundwave app. The app automatically detects when a user has music playing on their device’s native music app and after a song plays, the information is quickly and accurately retrieved and put in one’s Soundwave activity feed. Listening to an hour long mix during a workout at the gym? That’s an easy 9-10 tracks added to your feed by the time the playlist ends. Music you are finding and enjoying in the app from others can also be played while it is minimized and you are doing other things. Users can also access their in-phone cameras to pull different photos to use as their profile image.

The rest of Soundwave’s features are very comfortable and familiar. The usual jargon of “Like” and “Follow” have been mentioned but “Buckets” and “Humdingers” are two terms new to the scene. The former term acts like a sharing feature. Hit a song to play and if that song is something you want another user that you follow to hear, tapping the “Bucket” feature will bring up a list of one’s followers and a single tap will “drop” the currently cued up track into that person’s bucket. So long as the filter to hide bucket activity is not turned on, the next time the selected user logs in, the bucket symbol with the chosen song will be in their feed, telling them the song came as a recommendation from another user. There is also a bucket section where users can go just to see what others have left them, much like the “@” reply feature on Twitter. Humdingers represent something akin to super-favorites, as they have their own filter and can be singled out for easy access and replay, as well as being songs users can select to represent their “song of the moment” that will sit alongside their user name on their profile. Ratings are Soundwave’s version of the Like and Dislike a la Pandora, but, a large or small number of either has no bearing on a user’s ability to play their music –even if everyone were to give it a dislike. The purpose of the feature for the moment, is to help gage and determine the most liked and disliked tracks. 

Seeing as Soundwave is still in beta, there’s room for devlopers compassion, as the app is going to be changing even more profusely in the coming weeks and months, to be sure. Still, this is where questions start arising. The ratings system, for example, with the “most liked” and “most disliked…” what are the grouping parameters for compiling those lists? Are they lists made up of songs from people I follow? My immediate geographical location? State? Global Soundwave users? The fact that Soundwave is intended to highlight groups to show what’s trending and popularly played in the real world… well, I would want to know which “sound circle” of people made the Top 20 what it is.

Furthermore, is there a way to delete songs from a user’s feed? Suppose one’s iPhone or Android is left playing music on the table while one’s hands are full doing something else. Unexpectedly, the music shuffle feature cues up a horribly embarrassing guilty pleasure song from 10 years ago and it syncs with Soundwave before the song can be changed. The ease with which Soundwave’s very fluidly disclosing nature could unleash “TMI” upon anyone who one might know also using Soundwave, is not the most fun thing to think about.

If alerting people to your exact location is not something you want, Soundwave might not be your socialization form of choice. (The pins themselves are anonymous but if you sign up via Facebook, any location info you have filled in there will be automatically listed in your Soundwave user information). Though spreading around favorite songs probably is not a cause for alarm.

Soundwave being at the stage it is right now, the social grouping-focused app seems to be in very sharp form. There are going through some expected growing pains of the beta world –crashing, slight lagging and such– but the system in place offers to report any or all bugs a user experiences with the app. The company plans on remaining in private beta into the near future, in order to address these minor issues and to improve the total user experience through observation and feedback, which can be provided directly from the feedback menu in the app. 

The current incarnation of the private beta is full but you can sign up to be in line for the next “wave” by visiting this page.

There’s also a special bonus if you are really anxious to try the app out ASAP: The Soundwave team has uploaded a mini game onto their site and after you have landed on the waiting list, if you play the game and make it to level 12, you jump the line to the front of the digital queue. Make it four more levels up to 16 and Soundwave names you a permanent VIP!

Kira is an old school music nerd with a love for all things creative; always searching for music’s common ground. She graduated with an M.A. in Performing Arts Administration from New York University. Drop her a tweet @shadowmelody1

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http://www.soundctrl.com/blog/2013/04/24/soundwave-discovery-app/feed/ 0 Stipple: Musicians’ Ultimate Solution for Interactive In-Image Content and Ecommerce http://www.soundctrl.com/blog/2013/04/24/stipple-musicians-ultimate-solution-for-interactive-in-image-content-and-ecommerce/ http://www.soundctrl.com/blog/2013/04/24/stipple-musicians-ultimate-solution-for-interactive-in-image-content-and-ecommerce/#comments Wed, 24 Apr 2013 07:00:10 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8120 By Carolyn Heneghan In the art form of stippling, you assimilate dots to form a complete picture. In the art form of Stipple, you assimilate media to form a complete branding solution. Tech startup Stipple weaves together complex forms of media and tags this information to enriched web images for interactive and easily activated content [...]

By Carolyn Heneghan

In the art form of stippling, you assimilate dots to form a complete picture. In the art form of Stipple, you assimilate media to form a complete branding solution. Tech startup Stipple weaves together complex forms of media and tags this information to enriched web images for interactive and easily activated content at users’ fingertips. Content creators: Listen up.

Images are pervasive on social media and the web in general, so it’s no wonder that they are at the forefront of Stipple’s digital advertising strategy. You can’t log in to Facebook or Twitter without being bombarded by images from your friends and the brands that you follow. Wouldn’t it be a novel idea to be able to access still more content right from that image? And to take it one step further, wouldn’t it be great if that content remained attached to the image no matter where it might be shared?

While often labeled as a tagging service, Stipple goes far beyond typical tagging capabilities. Users are likely already familiar with tagging people and places in photos, say on Facebook. But once that photo is shared beyond its place on Facebook, the tags are lost on the blog, website or other social media profile it has been shared on. With Stipple, the content is woven directly into the very fabric of the image and thus travels right along with that photo wherever it might end up.

Just this past week at the Ad Age Digital Conference, the company officially introduced its new Stipple Shopping component to increase the ease and accessibility of ecommerce for brands and musicians. Reaching fans and customers has never been easier, as consumers can now purchase products, say albums and merchandise, from right within a photo posted on the band or musician’s website, Facebook, Twitter and the like.

stippled-photo-49478176

“[Stipple Shopping] revolutionizes online purchasing by enabling brands to share the needed information for consumers to make informed purchase decisions,” says Stipple CEO and founder Rey Flemings. “Let’s stop asking consumers to open multiple browsers to hunt down, explore and compare products—steps that create friction in the sales process. Now, consumers will be able to explore, compare and purchase products without ever leaving the image that they’re looking at.”

And for musicians, he adds, “Instead of asking your fans to click to your website to checkout your albums and merchandise, you can now take the best of what your site offers directly to them through images everywhere.”

While Stipple might generally be more brand-facing, musicians stand to benefit in their own unique ways. According to Flemings, “Music is part of Stipple’s DNA.”

“Stipple enables musicians to package relevant content and deliver it through photos to their fans across the web and social media,” says Flemings. “This means musicians are no longer limited to sharing just a song; with Stipple, in a single image they can share a video from the latest tour stop, backstage pictures, the ability to like the band on Facebook, purchase the latest album on iTunes and more.”

“It’s a win-win,” Flemings continues. “Fans get richer interactive content at their fingertips, without ever needing to leave the image or web page they’re looking at. Musicians drive much deeper engagement and ensure that their content is presented exactly how they want it, including the ability to drive revenue.”

Stipple continues to further the reach of images and in-image content through its Editorial offerings. Flemings says, “Stipple’s Editorial offering enables brands and musicians to place interactive content and messaging in images that contain their products. For example, if a band gets reviewed in Vibe and other websites, Stipple enables the corresponding band to place a video, buy on iTunes button, Facebook ‘like’ button and more within the editorial photo that accompanies the article. This is a great win-win-win. Consumers get more relevant content regarding the story they’re reading. Bands reach consumers in an editorial context and further engage consumers that are interested in their music. Publishers get deeper reader engagement and the opportunity to drive revenue from their images.”

This venture is not one simply in the works for bands here and there to dabble with. As an established web tagging, ecommerce and advertising solution, Stipple currently works with “many talented musicians and labels,” says Flemings, “Including Justin Timberlake, Warner Music Group and others.”

Stipple has produced a case study to take a closer look at their successes with Justin Timberlake and his promotions for his latest album, tour and appearance on Saturday Night Live. With three posts each on Facebook and Twitter, Stipple’s interactive images engaged an average of 74% of viewers with a 7.5% click-through rate and 146 sites reached through sharing, including premium sites like Glamour, Paste, Vibe and The Hollywood Reporter. This is a huge number of engaged users from just a few posts and nearly 540,000 image views. These clicks are equivalent to 40 million in ads, and the engagements are equivalent to 400 million in ads. You do the math.

The possibilities of this service for brands and musicians are limited only by their content and imaginations. Check out this presentation from Stipple’s appearance at the Ad Age Digital Conference last week to learn more about the company and how it is “Rethinking Digital Advertising.”

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http://www.soundctrl.com/blog/2013/04/24/stipple-musicians-ultimate-solution-for-interactive-in-image-content-and-ecommerce/feed/ 0 Better Know a FlashFWD Nominee – Jamplify http://www.soundctrl.com/blog/2013/04/23/better-know-a-flashfwd-nominee-jamplify/ http://www.soundctrl.com/blog/2013/04/23/better-know-a-flashfwd-nominee-jamplify/#comments Tue, 23 Apr 2013 16:07:55 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8105 By Keith Nelson, Jr. Ever since social media connected every human with one another, word of mouth’s promotional value has increased exponentially with Facebook statuses acting as digital billboards. How do you revolutionize a constantly changing medium? Reward fans for being fans. Former Goldman Sachs employees took that idea and manifested it into a social [...]

By Keith Nelson, Jr.

Ever since social media connected every human with one another, word of mouth’s promotional value has increased exponentially with Facebook statuses acting as digital billboards. How do you revolutionize a constantly changing medium? Reward fans for being fans. Former Goldman Sachs employees took that idea and manifested it into a social reward service called Jamplify where artists can reward fans for constantly promoting the artist. Given their own custom URL, fans can share the artists’ music, music video, etc to Facebook, blogs, and a variety of other online platforms which can help them garner prizes set by the artist for the fan with the most referrers.

The service, which started in August of 2012, is not some unknown powerhouse. In March of this year, the startup raised $600,000 from an array of investors.

Jamplify co-founder Moses Soyoola spoke with SoundCtrl about the rise of Jamplify, its future, “Jampaigns,” and more.

SoundCtrl: How did the idea for Jamplify form?

Moses Soyoola: Our CEO Andy woke up one morning to a music video in his inbox that had hit 300,000 views just from word of mouth. It sparked the idea that fans can be a powerful marketing asset and that artists need better tools to drive word-of-mouth.

SC:  What has the past  year meant for the Jamplify brand?

MS: We launched Jamplify in August and have had a really exciting year, winning best startup in marketing and social engagement at Midem and best startup at Canadian Music Week. In the last nine months, we’ve worked with big players in the major and indie label communities and with names like 50 Cent and Bruno Mars. The last year has been amazing, but it’s just the beginning.

SC: Jamplify turns an artists’ fanbase into a digital ad agency with allowing them to promote their own unique link. Why this method?

MS: Fans are powerful and effective marketers. By giving each fan their own unique referral link, the fan can spread the word wherever they have social reach, whether Facebook, Twitter, or obscure community forums where they might be active. The average fan drives 50 referrals withJamplify, and that’s a testament to their creativity and tenacity in sharing their link around.

SC: What has been the most common “ScratchBack” offered by artists? What has been the strangest or most inventive?

MS: Most common: free tickets to shows. Most inventive: a day in the office with 50 Cent at G-Unit records to do a 12-photo shoot and make a 50 Cent calendar.

SC: Since Jamplify rewards users for referring links do you think this could cause the artist to have momentary fans instead of long lasting fans that are more engaged?

MS: Because the rewards are always things related to the artist rather than something like cash or an iPad, the fans that promote are the ones that really care about the artist. A person isn’t going to try to win tickets to a show if he/she doesn’t actually like that artist. In a lot of ways,Jamplify helps artists develop stronger relationships with their most influential fans. We’re building in a host of new features which will enable artists to reengage their promoters around all of their content releases and deepen those relationships over time.

SC: What will the new $600,000 in investment money rouded up last month go towards?

MS: The $600,000 investment will be focused mostly on product development. We’re building Jamplify into an ongoing digital street team platform that will provide long-lasting promotional value for the artists we work with.

SC: Jamplify connects to YouTube but are there plans of expanding the connection to other streaming platforms such as Spotify and SoundCloud?

MS: We’ve already run jampaigns for embeds from SoundCloud, and we’re set up to do jampaigns for Spotify or any streaming platform. Jamplify can be used to promote anything with a URL – so Spotify playlists, Rdio playlists, etc are all fair game.

SC: What are the people at Jamplify actively working on improving about the service?

MS: We’re really excited about the data that we can show artists on their top influencers. These are fans that can reach thousands of people with a tweet. Our goal is to help artists identify and foster a stronger relationship with these valuable fans. We’re building in all sorts of functionality to make this happen.

SC: What are the plans for 2013?

MS: 2013 is about helping artists get more than ever from word-of-mouth. We have a great group of artists that we’re working with today, and we’re excited for the Jamplify community to grow as more artists sign up.

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http://www.soundctrl.com/blog/2013/04/23/better-know-a-flashfwd-nominee-jamplify/feed/ 0 Portugal. The Man are a bunch of #mophos http://www.soundctrl.com/blog/2013/04/22/portugal-the-man-are-a-bunch-of-mophos/ http://www.soundctrl.com/blog/2013/04/22/portugal-the-man-are-a-bunch-of-mophos/#comments Mon, 22 Apr 2013 14:34:40 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8097 By David Chaitt, SoundCtrl Board Member Going to Ad Age Digital Conference, I had little or no understanding of photo app developer Aviary. Tobias Peggs, their CEO, was one of the most fun and informative speakers I’ve seen in a while. He gave the audience a full download on all things #mopho aka mobile photography, [...]

By David Chaitt, SoundCtrl Board Member

Going to Ad Age Digital Conference, I had little or no understanding of photo app developer Aviary. Tobias Peggs, their CEO, was one of the most fun and informative speakers I’ve seen in a while. He gave the audience a full download on all things #mopho aka mobile photography, which is a term with which I admittedly wasn’t familiar.

Aviary powers the photo editing functionality for 3700 apps including Wallmart, Twitter, Flickr, Photobucket, and their own app. Their filters have been used on 3.5 Billion photos. Needless to say, they are experts at what they do. They know what #mophos want.

During his presentation, he also briefly alluded to a recent partnership with Atlantic Records for the launch of Portugal. The Man’s new record “Evil Friends”. All I gathered was that users could download a photo app powered by Aviary where special photo filters could allow users to create stickers inspired by the band.  Take a look at the Instagram photo stream to put a visual to what this exactly means.

To get a little more context and detail to what the partnership entailed, I reached out to Atlantic and was put in touch with their Director of Digital Marketing, Thanh Nguyen.  He had the following to add:

John Gourley, Portugal. The Man’s frontman, is also a visual artist. Along with his art collaborator, Austin Sellers (together known as The Fantastic The), Gourley designs all things visual for the band—album covers, photo illustrations, tour sets, and more.

The Evil Friends sticker pack with Aviary was a perfect partnership, as John was already creating images on his own by drawing on photos to correspond with the theme of the album, Evil Friends , and posting them on the band’s Instagram. Aviary’s technology allowed us to give fans a chance to create their own artwork inspired by John’s.

Because Portugal. The Man has always been so hands-on in all visual aspects of their music, a photo centric campaign just felt very natural for both the band and their fans.

Aviary has an amazing product with a large network of users, so they were the perfect partners for us. It’s often easy to have low quality photos/submissions when you’re running a UGC campaign, but with an app like Aviary and the Evil Friends sticker pack, a casual user can easily create their own images in line with the artist’s vision and aesthetic.

Whether you’re a fan of the band or not, it’s probably a good idea to download the app and try to think about how you can push the needle a little more to engage all the #mopho junkies out there.

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http://www.soundctrl.com/blog/2013/04/22/portugal-the-man-are-a-bunch-of-mophos/feed/ 0 Concert Window, The Netflix for Live Concerts http://www.soundctrl.com/blog/2013/04/19/concert-window-the-netflix-for-live-concerts/ http://www.soundctrl.com/blog/2013/04/19/concert-window-the-netflix-for-live-concerts/#comments Fri, 19 Apr 2013 15:27:57 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8092 By Rip Empson via Tech Crunch “… a platform for live concerts isn’t exactly a new idea. In fact, it’s been floating around for years, but those entering the space have been hamstrung to an over-abundance of friction stemming from royalty and licensing issues and having to convince venues to install the technology and hardware [...]

By Rip Empson via Tech Crunch

“… a platform for live concerts isn’t exactly a new idea. In fact, it’s been floating around for years, but those entering the space have been hamstrung to an over-abundance of friction stemming from royalty and licensing issues and having to convince venues to install the technology and hardware — among other things. As a result, live online music has been slow to take off…

Concert Window co-founder Dan Gurney tells us that the startup is beginning to hit its stride, having quadrupled revenue over the last five months, added a handful of employees and is now broadcasting over 100 live shows each month. The startup has been able to do by broadcasting live concerts over the Web, allowing you to listen and watch as the concert happens from the comfort of your couch. To address the friction for venues mentioned above, Concert Window attempts to take the work out of the hands of venue managers — all the venue needs is an Internet connection…

By offering a mobile experience, a relatively steady stream of concerts and allowing fans to chat with each other and leave feedback for artists, Concert Window hopes its v2.0 can give it a leg up on the competition.”

For the full story on Concert Window and more on new potential competitor EvntLive, visit www.techcrunch.com

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http://www.soundctrl.com/blog/2013/04/19/concert-window-the-netflix-for-live-concerts/feed/ 0 Now Playing: Twitter #Music Launches on Browser and Mobile http://www.soundctrl.com/blog/2013/04/18/now-playing-twitter-music-launches-on-browser-and-mobile/ http://www.soundctrl.com/blog/2013/04/18/now-playing-twitter-music-launches-on-browser-and-mobile/#comments Thu, 18 Apr 2013 15:02:31 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8081 Twitter #Music is now up and running as Twitter announced this morning on Good Morning America and via a blog post. According to the post, which claims that the new service will “change the way people find music,” Twitter #Music will utilize twitter activity to “detect and surface the most popular tracks and emerging artists.” [...]

Twitter #Music is now up and running as Twitter announced this morning on Good Morning America and via a blog post.

According to the post, which claims that the new service will “change the way people find music,” Twitter #Music will utilize twitter activity to “detect and surface the most popular tracks and emerging artists.” It also places an emphasis on what music artists themselves are listening to and follows a spiderlike web of tweets and engagement to draw connections between artists with similar tastes.

Currently, the service pulls its music from iTunes, Spotify, or Rdio. By default, previews will come direct from iTunes but Spotify and Rdio subscribers can log into their accounts to access full streams… pretty smart to engage across multiple platforms rather than creating a clear alliance with just one and cannibalizing other listener activity. Twitter also claims that it will make a concentrated effort to “explore and add other music service providers.”

The browser version is very user friendly and is reminiscent of We Are Hunted’s design, with artist’s images loaded into squares that when clicked, allow you to listen to the track, follow the artist, compose a tweet or go purchase the song.  Also pulled from We Are Hunted’s interface is the ability to rearrange the checkboard based on filters like “Popular,” which sources music that is trending on Twiiter, “Emerging” which claims to find hidden talent found in tweets, “Suggested” which suggests the music your favorite artists listen to, and “Now Playing” which is music tweeted by the people you follow.

All in all, it’s a bold move from Twitter which as long desired to enter the music space. Twitter is ripe with data that can make connections between fans, artists and music that is visible nowhere else. The app is available in the App Store and the web version is live now. 

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http://www.soundctrl.com/blog/2013/04/18/now-playing-twitter-music-launches-on-browser-and-mobile/feed/ 0 Guy Oseary, Scooter Braun and Troy Carter on cover of Billboard http://www.soundctrl.com/blog/2013/04/15/guy-oseary-scooter-braun-and-troy-carter-billboard-cover/ http://www.soundctrl.com/blog/2013/04/15/guy-oseary-scooter-braun-and-troy-carter-billboard-cover/#comments Mon, 15 Apr 2013 19:22:50 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8071 Every year at our FlashFWD Awards, SoundCtrl gives out its SoundWAV award. The SoundWAV award recognizes an individual who has significantly impacted digital music culture through the early adoption or creation of new technology and is seen as a visionary and voice in the music tech industry In 2011, that honor went to Troy Carter. [...]

Every year at our FlashFWD Awards, SoundCtrl gives out its SoundWAV award. The SoundWAV award recognizes an individual who has significantly impacted digital music culture through the early adoption or creation of new technology and is seen as a visionary and voice in the music tech industry

In 2011, that honor went to Troy Carter. In 2012, Scooter Braun. In 2013, Guy Oseary is up for nomination. This week, all three of them grace the cover of the industry’s biggest publication: Billboard.

Madonna, Bieber, Gaga – Guy Oseary, Scooter Braun and Troy Carter have helped manage the careers of three of music’s biggest acts. Now they’ve set their sights on finding the rock stars of tech, companies like Spotify, Uber and SoundCloud. A look at how they’re changing the way the entertainment and tech industries intersect.

You can read an excerpt of the cover piece by Andrew Hampp over at Billboard.com. The full article is available only to subscribers.

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http://www.soundctrl.com/blog/2013/04/15/guy-oseary-scooter-braun-and-troy-carter-billboard-cover/feed/ 0 Anyone can be a curator with Flipboard 2.0 http://www.soundctrl.com/blog/2013/04/15/anyone-can-be-a-curator-with-flipboard-2-0/ http://www.soundctrl.com/blog/2013/04/15/anyone-can-be-a-curator-with-flipboard-2-0/#comments Mon, 15 Apr 2013 15:43:28 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8054 By David Chaitt - SoundCtrl board member Historically speaking, a publication like Rolling Stone published editorial content by filtering through the solicited music that came their way via record labels. Consumers initially bought the magazine because they trusted Rolling Stone’s taste, tone, and ability to filter. Consumers continue to buy the magazine to make a point that they [...]

By David Chaitt - SoundCtrl board member

Historically speaking, a publication like Rolling Stone published editorial content by filtering through the solicited music that came their way via record labels. Consumers initially bought the magazine because they trusted Rolling Stone’s taste, tone, and ability to filter. Consumers continue to buy the magazine to make a point that they value physical magazines even as the Internet makes them debatably irrelevant.

There’s no denying that the Internet has presented a major curve ball to traditional media/publishing. It democratizes content creation to the point where people can be both a content creator and consumer. The Internet also brings to light certain styles of music and artists previously ignored by the Rolling Stones of the world. ANYONE can give their opinion and gain a following for free or cheap. You don’t need a printing press or a technical degree to tweet a link to a Spotify playlist you created or start a Tumblr blog focusing entirely on South American Metal music.

In order to stay relevant and maintain their revenue, a lot of the major media outlets began to pander to the masses and focus on site impressions as opposed to content substance. They’re not to blame though. This has been a necessary pivot for them in order to maintain mass relevance and to keep the lights on, which is their unfortunate reality.

What’s the next step in this evolution?

Flipboard 2.0 seamlessly blurs the lines even further between creator and consumer while adding in curation. Users can blend online editorial with social media to create visual appealing and easy to create and navigate social magazines.

This helps create an almost non-existent role of content curator in editorial and puts more power in the hands of the consumer.  Yes, it’s correct that editors curate what goes in a magazine or on a website.  They are the gatekeepers of their publication’s voice.  However, Flipboard helps filter through public content and content within their network to create their own personal voice in a different way that Facebook, Twitter, and their blog could never accomplish.

In an ideal world, I can grab an album preview from NPR of The Flaming Lips, a news piece on The Black Crowes and Tedeschi Trucks Band tour, an Instagram photo of my roommate at Jamie Lidell, an amazing HD video of Pat Metheny from the 70′s, and a recent tweet from Questlove about his duo performance with Rahzel. They’ll make sense together because this is an example of content I actually consumed this week. My friends and whoever else would follow my social magazine would understand and appreciate my ability to uniquely curate from the infinite amount of content that is perpetually being created.

Flipboard is making that a reality!

Now it’s up to the consumers to take this power in their own hands and get to curation to help become a content extension of their personality and interests. Alternatively, this could be a resource for artists to collect interesting content they found online to be discovered or connect even more deeply with their fans.

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http://www.soundctrl.com/blog/2013/04/15/anyone-can-be-a-curator-with-flipboard-2-0/feed/ 0 Better Know a FlashFWD Nominee – Pheed http://www.soundctrl.com/blog/2013/04/15/better-know-a-flashfwd-nominee-pheed/ http://www.soundctrl.com/blog/2013/04/15/better-know-a-flashfwd-nominee-pheed/#comments Mon, 15 Apr 2013 14:00:27 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8026 By Jason Epstein VOTE FOR PHEED FOR BEST IN MOBILE & TABLET HERE Pheed is a free social media platform that puts an emphasis on creative endeavors with content creation, monetization of one’s offerings and simple copyrighting all tied together by the ability to upload text, photos, videos and audio in a single place. Sound [...]

By Jason Epstein

VOTE FOR PHEED FOR BEST IN MOBILE & TABLET HERE

Pheed is a free social media platform that puts an emphasis on creative endeavors with content creation, monetization of one’s offerings and simple copyrighting all tied together by the ability to upload text, photos, videos and audio in a single place. Sound Ctrl writer Jason Epstein spoke with Pheed Communications Director Chrysta Olson about Pheed’s members, features and what’s coming next.

SoundCtrl- Whenever someone is faced with joining a new social media platform they ask themselves unconsciously how it will benefit them. Can you tell us how Pheed works, how it differs from competitors such as Facebook and how it benefits users?

Chrysta Olson - People are becoming overwhelmed with how many options there are for sharing content online. You have Twitter for text, Instagram for photos, Viddy or Vine for videos, Soundcloud for sound, Ustream for live broadcast. With so many options, it becomes difficult to know where to put your content, and no one wants to have a dozen apps on their phone. The idea behind Pheed is that you can share all forms of digital content in one place, in one clean and easy to use app.

The all-in-one approach is definitely one of the appeals of Pheed. We are also the first social platform that allows users to monetize their content if they wish to do so. While it is free to join Pheed, and many users choose to share their content for free, we believe it is fair to offer content creators the option to monetize their content if they feel the desire to do so. Our hope in the long run is that this will incentivize great content creation for the web.

Another big benefit to the platform is that users own and control all of their content. For creatives – photographers, artists, musicians, actors, comedians, athletes, brands, etc., this is very appealing as we live in a digital age where it’s not clear who owns what. Pheed users can actually select a ‘copyright’ button, which will encrypt a physical watermark on photos and videos with the channel holders name so that content is always linked back to its creator.

SC – Pheed’s tag line is “Express Yourself”. What kind of user does Pheed generally attract and how are they able to express their individuality?

CO - Pheed has become especially popular among creatives, entertainers and youth. Users between age 15 to 25 make up 84% of the overall user base, there are over 500 verified Twitter users on Pheed and over 700 of the top 5,000 most followed users on Instagram. Brands such as MTV, Bravo, People, Hurley, Vibe, and Nasa are also using Pheed as a social media outlet for their content.

On Pheed, users can upload photos, videos, music, voice-clips, and text to their channels – with very few limits on the size or shape of the content. If you really wanted to, you could upload a feature length film on your Pheed channel. Additionally, if you feel your content is worthy of having people pay to access it, you can place a paywall on your channel, or do a live broadcast pay-per-view video. Users select the price, and as mentioned above, they always own and control the rights to their content.

SC – What’s next for Pheed?

CO - An update to the iOS app with new privacy settings and live broadcasting pay-per-view via the app (currently available via the web) will be released early April. Our Android app is also currently in development, and due for release the end of April 2013.

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http://www.soundctrl.com/blog/2013/04/15/better-know-a-flashfwd-nominee-pheed/feed/ 0 Better Know a FlashFWD Nominee – Mixify http://www.soundctrl.com/blog/2013/04/11/better-know-a-flashfwd-nominee-mixify/ http://www.soundctrl.com/blog/2013/04/11/better-know-a-flashfwd-nominee-mixify/#comments Thu, 11 Apr 2013 14:00:31 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=8033 By Jason Epstein VOTE FOR MIXIFY FOR BEST IN DISCOVERY HERE Mixify is a DJ-centric web community that is hyped as a “never-ending electronic music festival where DJs live stream from around the world while chatting with friends.”  The site allows users to host their own electronic dance music (EDM) parties, make their own mixes, [...]

By Jason Epstein

VOTE FOR MIXIFY FOR BEST IN DISCOVERY HERE

Mixify is a DJ-centric web community that is hyped as a “never-ending electronic music festival where DJs live stream from around the world while chatting with friends.”  The site allows users to host their own electronic dance music (EDM) parties, make their own mixes, learn DJ techniques, socialize, check on what is currently charting and even buy and sell user-made music.  SoundCtrl writer Jason Epstein spoke with Mixify CEO and Founder David Moricca about electronic dance music, Mixify’s passionate fan base and what’s coming next.

SoundCtrl- EDM has been a hot topic in music over the past year.  What inspired Mixify and what problem does it seek to solve for the EDM community? 

David Moricca - As a team, we started noticing this “EDM” explosion well before the articles started flowing out.  We learned it old fashioned way – through some user insights from the first product the company created called BreakoutBand (an online music creation site).

Within the EDM space, we identified the live experience as one of the more digitally unaddressed aspects of the genre.  We found that many dance artists, labels, promoters and venues were looking to engage their fans in a deeper way digitally around live streaming, but the current options available to them were limited.  Most of the audio streaming options were not very fan-friendly, while video streaming had a plethora of its own challenges– namely, audio quality, scalability, cost and brand control.  Most importantly, video streaming created more of a passive consumption experience for the fan.

With Mixify, the idea was to innovate around live streaming and create the concept of the digital event and digital festival.  As an audio streaming platform at its core, the sound quality of a Mixify stream is really high – good enough to power a real party.  Additionally, the artist can bring in their own custom visuals for their events on Mixify – the very same visuals that fans would be seeing in a live environment. We tied this all together through a virtual venue with real-time chat, so fans and artists could have this shared, active social experience.  The combination really works.

SC – Mixify has evolved quickly since launching in Mid-November, 2012.  How do you prioritize the product development for the platform? 

DM - We are really fortunate to have a passionate and growing community of up and coming DJs who use Mixify regularly and serve basically as an extension of our product team.  Some of our members have even established their own forums, like the Mixify Community Group and Mixify Mafia Group on Facebook where they support each other as DJs but also provide us an ongoing product feedback and idea loop.  In fact, hundreds of these types of users have been using our mobile app in beta over the last several weeks, allowing us to fine tune it.  Similarly, fans who tuned into our RISE Digital Festival last month helped us identify the big opportunity for Mixify to be used as a second screen experience for parties in a physical setting.  With this kind of passionate DJ and fan community, we are able to appropriately prioritize our feature development.

Our bigger partners also give us great feedback and insight into what is important to them.  Oftentimes, we need to balance the needs of larger established partners with up and coming DJs…but so far, so good.

SC – What can we expect to see coming next from Mixify? 

DM - From a product perspective, we are extremely excited about the new features in development that are all about widening distribution and enabling DJs, promoters, labels and venues to monetize on the platform.  First, we are weeks away from launch of our Android and iPhone mobile app, which will enable to fans to tune into the livestream and chat on the go.  Second, as we have seen more fans use Mixify on the second screen, we are making some interface enhancements to accommodate a wider, bigger screen experience for fans partying with Mixify in a physical space. Third, we are adding a monetization feature that enables artists to ticket their events or add a VIP tier where they offer fans something special (unreleased tracks, private digital events, tickets for upcoming tours).

From a partner perspective, you will see Mixify launching more digital festivals, recurring series and live stream events with a broad range of big-name artists, labels, venues and festival companies.  Details coming!

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http://www.soundctrl.com/blog/2013/04/11/better-know-a-flashfwd-nominee-mixify/feed/ 0 FlashFWD 2013 Official Ballot http://www.soundctrl.com/blog/2013/04/10/flashfwd-2013-ballot/ http://www.soundctrl.com/blog/2013/04/10/flashfwd-2013-ballot/#comments Wed, 10 Apr 2013 14:00:04 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7642
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35 Ways Musicians and Music Brands Are Using Twitter’s Vine App http://www.soundctrl.com/blog/2013/04/09/35-ways-musicians-and-music-brands-are-using-twitters-vine-app/ http://www.soundctrl.com/blog/2013/04/09/35-ways-musicians-and-music-brands-are-using-twitters-vine-app/#comments Tue, 09 Apr 2013 16:03:11 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7985 By Brian Anthony Hernandez, via Mashable Mashable has compiled a pretty great 35-vine long list of celebrities, rising artists and music brands who are giving fans a visual and auditory glimpse into their lives with intimate 6-second, GIF-like videos. Here are the top ten… go check out all the vines on Mashable! 1. Rolling Stone Honors [...]

By Brian Anthony Hernandez, via Mashable

Mashable has compiled a pretty great 35-vine long list of celebrities, rising artists and music brands who are giving fans a visual and auditory glimpse into their lives with intimate 6-second, GIF-like videos. Here are the top ten… go check out all the vines on Mashable!

1. Rolling Stone Honors 5 Decades of The Beatles

2. Paul McCartney Challenges Fans to Name Song

3. Enrique Igelsias Shares Fan’s Footage

4. 30 Seconds to Mars Thanks a Fan

5. VH1 Interviews Jared Leto About Vine

6. Dido Shows Off Rehearsal in a Hotel

7. Live Nation Promotes Tickets With Video of Pink

8. Steve Aoki Curses and Air Humps in Limo

9. Jason Derulo Meets With Record Label

10. Rolling Stone Pimps Out Flaming Lips Singer’s Nails

 

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http://www.soundctrl.com/blog/2013/04/09/35-ways-musicians-and-music-brands-are-using-twitters-vine-app/feed/ 0 Facebook Expected to Announce Its Phone This Afternoon http://www.soundctrl.com/blog/2013/04/04/facebook-expected-to-announce-its-phone-this-afternoon/ http://www.soundctrl.com/blog/2013/04/04/facebook-expected-to-announce-its-phone-this-afternoon/#comments Thu, 04 Apr 2013 15:17:58 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7943 By Somin Sengupta via The New York Times “The company will make its biggest leap yet in that direction Thursday, when it is expected to introduce a moderately priced phone, made by HTC, powered by Google’s Android operating system, and tweaked to showcase Facebook and its apps on the home screen… Facebook already functions much [...]

By Somin Sengupta via The New York Times

“The company will make its biggest leap yet in that direction Thursday, when it is expected to introduce a moderately priced phone, made by HTC, powered by Google’s Android operating system, and tweaked to showcase Facebook and its apps on the home screen…

Facebook already functions much like a phone, allowing users to chat, send group messages and even, in one experiment with users in Canada, to make free phone calls over the Internet. Its platform hosts a variety of applications that deliver things like music and news, and its newsfeed has been tweaked to showcase photos, which is what Facebook users post by the millions everyday.

There are fledgling experiments with commerce. Facebook users can buy online and offline gifts on Facebook with their credit cards. Equally important, Facebook’s insistence on real names means that Facebook can be something like an identity verification service. It is well-positioned to be a kind of mobile wallet, containing the equivalent of an identity card and seamless way to buy things.

‘They want to have all the services that consumers want to use in the mobile world,’ said Karsten Weide, an analyst with IDC. ‘They want to be the major consumer Internet platform.’”

For the full story, visit www.nytimes.com

To watch a live blog of Facebook’s announcement, visit www.news.cnet.com at 10:00AM PT

UPDATE, 4:15 PM: Facebook announces Facebook Home

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http://www.soundctrl.com/blog/2013/04/04/facebook-expected-to-announce-its-phone-this-afternoon/feed/ 0 Exclusive Concert Footage and Memorabilia Brought to You by the Concert Vault iPad App http://www.soundctrl.com/blog/2013/04/04/exclusive-concert-footage-and-memorabilia-brought-to-you-by-the-concert-vault-ipad-app/ http://www.soundctrl.com/blog/2013/04/04/exclusive-concert-footage-and-memorabilia-brought-to-you-by-the-concert-vault-ipad-app/#comments Thu, 04 Apr 2013 13:00:38 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7934 By Carolyn Heneghan With a plethora of artists and events, liner notes and memorabilia, the Concert Vault website and now iPad app aim to augment your experience of live music footage. The idea began with all-things-music company Wolfgang’s Vault—“Where Live Music Lives”—and their idea to expand upon their Concert Vault website to reach users’ mobile [...]

By Carolyn Heneghan

With a plethora of artists and events, liner notes and memorabilia, the Concert Vault website and now iPad app aim to augment your experience of live music footage.

The idea began with all-things-music company Wolfgang’s Vault—“Where Live Music Lives”—and their idea to expand upon their Concert Vault website to reach users’ mobile devices. Beginning with Sonos, Android and iPhone apps, this endeavor eventually moved on to the iPad, where they’ve put together the most enveloping app yet.

“This idea was to give people a more robust experience than going to the site on the iPad,” said George Howard, COO and business developer for Wolfgang’s Vault. “It’s a very immersive experience of the product and website, from videos to artist info to photos to all the tracks. It’s the best music experience out there.”

In order to make this idea a reality, they partnered with Groovebug, who would provide them with an already successful platform that would work for their website. Known for their Blue Note app, which features an enormous catalog of jazz footage, Groovebug leapt at the chance to work with Concert Vault, and began their collaboration in October 2012.

“I came across Concert Vault, and they just had such an amazing catalog of music videos and memorabilia—perfect for our platform,” says Groovebug CEO and cofounder Jeremiah Seraphine. “I contacted the CEO of Wolfgang’s Vault and told him about the platform we were developing. They thought it was a great fit as well.”

“[Groovebug has] an approach that they’ve used with others, and we have our own ideas and goals,” says Howard. “But it was very collaborative and great in terms of taking our ideas as they had a fresh set of eyes. We worked well together toward getting the sum greater than the single part.”

The finished product is one that seamlessly blends the two companies’ products and services. From the moment you open the app, you know that you’re in for something unique and unlike any online music experience you’ve had before.

The homepage displays a selection of featured videos in a panel of squares on the left and a catalog of artists on the right. Across the top you’ll find a selection of channels that you can choose from to browse more specific videos to suit your tastes. These currently include rock, blues, jazz, country, folk & bluegrass and indie. Selecting one of these genres will pull up a more specific set of videos and artist catalog.

The amount of artists, streaming videos and curated playlists you’ll find—hundreds of thousands—is nearly overwhelming. You can search specifically for who or what you’re looking for, or you can spend hours skimming over every artist and video they have built in to this expansive app. Plus, once you’ve selected a performance to watch, additional features help to immerse you even more into each artist or video you’ve selected.

“We try to use our platform to build a really immersive experience around music that is 360 degrees,” says Seraphine. “You’re getting videos, really detailed liner notes, images, comments from users, memorabilia—all of which we pull together to take that to a different library of music.

“This app is not like Spotify where content is all the same across all sites,” says Howard. “We have our own content that you can’t get anywhere else for a truly unique experience.”

As an example of the type of video content they provide, classic rock aficionados will enjoy a deep catalog of performances, including one exclusive, historic performance of the Grateful Dead right after they changed their name featuring Ken Kesey on the microphone. Indie fans will appreciate plenty of their own performances such as Daytrotter, Bon Iver, Mumford and Sons and concerts from the recent 2013 South by Southwest. Even Paste magazine concerts will be included in the app, along with hundreds of thousands of others.

The app just launched in March of this year, and after a one-week free trial, membership is available for $3.99 per month or $39.99 per year. Members now get two free featured downloads per week, which are hand-picked by Concert Vault editors. You can also buy a gift membership for the music lovers in your life.

The app caters to both new users and to providing a better experience for current subscribers of Concert Vault. In addition, the app is continuously added to as time goes on.

“Like everything that we do, it will be continuously improving and adding features,” says Howard. We’re really at the very edge of technology between airplay function, the preference engine and a lot of things that I think a lot of iPad apps are just starting to get. We will continue to refine the experience and add more functionality as we evolve—but we come out of the gate really, really strongly.”

Concert Vault is now available for download on the iPad for a free week trial, followed by a monthly or annual membership. It is also available for download for the iPhone, Android and Sonos.

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http://www.soundctrl.com/blog/2013/04/04/exclusive-concert-footage-and-memorabilia-brought-to-you-by-the-concert-vault-ipad-app/feed/ 0 Rdio Launches Vdio, New TV and Film Marketplace http://www.soundctrl.com/blog/2013/04/03/rdio-launches-vdio-new-tv-and-film-marketplace/ http://www.soundctrl.com/blog/2013/04/03/rdio-launches-vdio-new-tv-and-film-marketplace/#comments Wed, 03 Apr 2013 20:23:10 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7930 By Glenn Peoples – via Billboard Biz On-demand music subscription service Rdio announced the launch on Wednesday of Vdio, a video service that streams movies and TV shows. Vdio (pronounced vee-dee-oh) becomes the first video service offered by a standalone company that also offers an on-demand music subscription service. To entice Rdio users to start [...]

By Glenn Peoples – via Billboard Biz

On-demand music subscription service Rdio announced the launch on Wednesday of Vdio, a video service that streams movies and TV shows. Vdio (pronounced vee-dee-oh) becomes the first video service offered by a standalone company that also offers an on-demand music subscription service.

To entice Rdio users to start using Vdio, all Rdio Unlimited subscribers have been given a $25 credit (£20 in the U.K.). The deal will be extended to anyone who subscribes to Rdio Unlimited in the next 60 days.

Read full story at Billboard.biz

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http://www.soundctrl.com/blog/2013/04/03/rdio-launches-vdio-new-tv-and-film-marketplace/feed/ 0 Social Marketing and Social Media Unite with Ning’s Community Cultivation Platform http://www.soundctrl.com/blog/2013/04/03/social-marketing-and-social-media-unite-with-nings-community-cultivation-platform/ http://www.soundctrl.com/blog/2013/04/03/social-marketing-and-social-media-unite-with-nings-community-cultivation-platform/#comments Wed, 03 Apr 2013 16:21:28 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7926 By Jason Epstein Think of what a single person can accomplish with an internet connection today; they can gather “likes” on Facebook, tweet to their Twitter army, feed their followers on Tumblr, satisfy their subscribers on YouTube, treat their Kickstarter supporters to sweet perks, and a whole lot more.  But Ning seeks to take it [...]

By Jason Epstein

Think of what a single person can accomplish with an internet connection today; they can gather “likes” on Facebook, tweet to their Twitter army, feed their followers on Tumblr, satisfy their subscribers on YouTube, treat their Kickstarter supporters to sweet perks, and a whole lot more.  But Ning seeks to take it another step.  Actually, it seeks to take it another few steps.  Ning is a community-building platform that allows you a place to display, discuss, and monetize your content all in a flexible, customizable experience for both community leaders and members.  This is due to what Ning describes as a fostered blend of “member engagement” and “traditional publishing”.

Ning is offering a free 14-day trial so users can set up their own fully-features social website and try it out.  And yes, Ning has a social sign-up/sign-in feature that allows members to seamlessly use their Facebook, Twitter, Google, LinkedIn and other accounts to sign in.

14 days will provide an idea of what to expect from the site function-wise and allow users a chance to start testing the waters within their own online community, but having a thriving community from the get-go just isn’t a reality.  Ning recommends users to be patient, telling community leader hopefuls that it “takes between three months and one year to reach the point where the community takes on a life of its own.”

The basic plan costs $25/month, allows for 1,000 members with 2 moderators and email response within 48 hrs.

The performance plan costs $49/month, allows for 10,000 members, 10 moderators, email response within 24 hrs and phone support.

The business plan costs $99/month, allows for up to 100,000 members, 100 moderators, same-day email response, priority phone support and APIs.

Is it just me or does this seem as exciting, fun, and lucrative as it is outrageous that they actually cap the amount of members you are able to have in your community?  Doesn’t that go against what social media stands for in the first place; limitless connection?  Unless Ning is looking to create a secret-special-invite-only type atmosphere, I’d predict that they’ll need to open up those member caps in favor of offering better plan perks for their various price points.  Thankfully, plans can be changed at any time in case a basic user is starting to gather more than 1,000 members and wants to upgrade.

All plans include a bevy of custom design, social integration, community, publishing, privacy and cross-platform functionality and features.

Check out Ning’s promo video on their homepage, an example of a successful Ning network here and get your free trial here.

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http://www.soundctrl.com/blog/2013/04/03/social-marketing-and-social-media-unite-with-nings-community-cultivation-platform/feed/ 0 SoundHound & Rdio Launch New Andriod Tablet App http://www.soundctrl.com/blog/2013/03/29/soundhound-rdio-launch-new-andriod-tablet-app/ http://www.soundctrl.com/blog/2013/03/29/soundhound-rdio-launch-new-andriod-tablet-app/#comments Fri, 29 Mar 2013 16:36:14 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7889 By Josh Ong via The Next Web "Music search company SoundHound has released a new tablet-optimized version of its Android app with a redesigned layout, improved music discovery and Rdio as a launch partner. SoundHound, which has over 130 million users worldwide, says the app has been designed specifically with the Google’s Nexus 7 and Nexus 10 tablets, as well as the Kindle Fire and Kindle HD in mind... 'By utilizing the tablet’s larger screen space and leveraging new tools from Google, users can much more fluidly navigate within the app and have access to more content in one location,' VP James Hom said in a statement." To check out all of the SoundHound 5.3 updates and for the rest of the story, visit www.nextweb.com
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By Josh Ong via The Next Web

“Music search company SoundHound has released a new tablet-optimized version of its Android app with a redesigned layout, improved music discovery and Rdio as a launch partner.

SoundHound, which has over 130 million users worldwide, says the app has been designed specifically with the Google’s Nexus 7 and Nexus 10 tablets, as well as the Kindle Fire and Kindle HD in mind… ‘By utilizing the tablet’s larger screen space and leveraging new tools from Google, users can much more fluidly navigate within the app and have access to more content in one location,’ VP James Hom said in a statement.”

To check out all of the SoundHound 5.3 updates and for the rest of the story, visit www.nextweb.com

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Dawes Wants to Know What’s Out Your Window http://www.soundctrl.com/blog/2013/03/29/dawes-wants-to-know-whats-out-your-window/ http://www.soundctrl.com/blog/2013/03/29/dawes-wants-to-know-whats-out-your-window/#comments Fri, 29 Mar 2013 15:08:40 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7881 In promotion for their upcoming album "Stories Don't End" - 4/9/2013 - Dawes is launching a project to capture moments from the lives of their fans from around the Globe. Using the hastag #FromAWindowSeat, Dawes is sharing photos submitted through Instagram or Twitter by their fans of whatever is outside their window... Any window... be that by home, office, plane, train or automobile. The project's site then aggregates all the photos into a mosaic-like gallery that shows what people from around the world are looking at. So what's out your window? Here's our contribution... #empirestate
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In promotion for their upcoming album “Stories Don’t End” – 4/9/2013 – Dawes is launching a project to capture moments from the lives of their fans from around the globe.

Using the hashtag #FromAWindowSeat, Dawes is sharing photos submitted by their fans through Instagram or Twitter of whatever is outside their window… any window… be that by home, office, plane, train or automobile. The project’s site then aggregates all the photos into a mosaic-like gallery that shows what people from around the world are looking at.

So what’s out your window? Here’s our contribution… #empirestate

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Take Advantage of Early Bird Prices for TechCrunch Disrupt NY http://www.soundctrl.com/blog/2013/03/28/take-advantage-of-early-bird-prices-for-techcrunch-disrupt-ny/ http://www.soundctrl.com/blog/2013/03/28/take-advantage-of-early-bird-prices-for-techcrunch-disrupt-ny/#comments Thu, 28 Mar 2013 16:29:52 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7875 Early bird ticket prices for TechCrunch Disrupt NY (taking place April 29th - May 1st) are ending on April 11th! The conference combines top thought leader discussions with new product and company launches. This year features an exciting lineup of speakers including Ron Conway, John Donahoe and more. For early adopters, there is also the launch more than two dozen startups in the Startup Battlefield, where startups from all over the world come to battle it out for the ultimate prize of $50,000 and the Disrupt Cup. If you're planning on joining in Disrupt NY this year, definitely act now and purchase at the early bird price ($1,995) rather than wait for the regular ($2,995). We'll catch you there.
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Early bird ticket prices for TechCrunch Disrupt NY (taking place April 29th – May 1st) are ending on April 11th!

The conference combines top thought leader discussions with new product and company launches. This year features an exciting lineup of speakers including Ron Conway, John Donahoe and more. For early adopters, there is also the launch more than two dozen startups in the Startup Battlefield, where startups from all over the world come to battle it out for the ultimate prize of $50,000 and the Disrupt Cup.

If you’re planning on joining in Disrupt NY this year, definitely act now and purchase at the early bird price ($1,995) rather than wait for the regular ($2,995). We’ll catch you there.

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Debate over Piracy Gets Big with Times Square Billboard http://www.soundctrl.com/blog/2013/03/28/debate-over-piracy-gets-big-with-times-square-billboard/ http://www.soundctrl.com/blog/2013/03/28/debate-over-piracy-gets-big-with-times-square-billboard/#comments Thu, 28 Mar 2013 15:26:54 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7869 By Ben Sisario via The New York Times "For the last week a mysterious ad has flashed on the LED billboard above the American Eagle Outfitters store at Broadway and 46th Street, just over the bronze shoulder of George M. Cohan. Variably positing piracy as “criminal,” “progress” and “the future,” it asks the observer to “pick a side” on Twitter, as #artistsforpiracy or #artistsagainstpiracy... The party behind the billboard and its related Web site, ArtistsVsArtists.com, is Ghost Beach, a two-man Brooklyn band whose profile is low even by indie Brooklyn standards: about 8,800 Facebook likes and zero Pitchfork hits. Ghost Beach was approached by American Eagle, which wanted to license the band’s song “Miracle” for an online ad. As it has done with a few other bands the retailer offered a fee as well as access to the billboard. The ArtistsVsArtists billboard has been booked for two weeks, ending on Sunday. The group’s use of the billboard is worth $50,000, an American Eagle spokeswoman said." What side do you fall on? #artistsforpiracy or #artistsagainstpiracy ? For the full story visit www.nytimes.com
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By Ben Sisario via The New York Times

“For the last week a mysterious ad has flashed on the LED billboard above the American Eagle Outfitters store at Broadway and 46th Street, just over the bronze shoulder of George M. Cohan. Variably positing piracy as “criminal,” “progress” and “the future,” it asks the observer to “pick a side” on Twitter, as #artistsforpiracy or #artistsagainstpiracy…

The party behind the billboard and its related Web site, ArtistsVsArtists.com, is Ghost Beach, a two-man Brooklyn band whose profile is low even by indie Brooklyn standards: about 8,800 Facebook likes and zero Pitchfork hits. Ghost Beach was approached by American Eagle, which wanted to license the band’s song “Miracle” for an online ad. As it has done with a few other bands the retailer offered a fee as well as access to the billboard.

The ArtistsVsArtists billboard has been booked for two weeks, ending on Sunday. The group’s use of the billboard is worth $50,000, an American Eagle spokeswoman said.”

What side do you fall on? #artistsforpiracy or #artistsagainstpiracy ?

For the full story visit www.nytimes.com

 

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Microsoft, Spotify & The Echo Nest Launch Mixshape http://www.soundctrl.com/blog/2013/03/28/microsoft-spotify-the-echo-nest-launch-mixshape/ http://www.soundctrl.com/blog/2013/03/28/microsoft-spotify-the-echo-nest-launch-mixshape/#comments Thu, 28 Mar 2013 15:02:32 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7862 By Josh Ong, via The Next Web "Microsoft, Spotify and music intelligence firm The Echo Nest have joined forces to create Mixshape, a visual tool that automatically sorts playlists based on the properties and moods of individual songs. Mixshape is built on top of The Echo Nest’s technology, which is sometimes called the “big data of music”, while Spotify provides the playlists, which maxes out at 300 tracks for the tool." For the full story visit thenextweb.com
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By Josh Ong, via The Next Web

“Microsoft, Spotify and music intelligence firm The Echo Nest have joined forces to create Mixshape, a visual tool that automatically sorts playlists based on the properties and moods of individual songs.

Mixshape is built on top of The Echo Nest’s technology, which is sometimes called the “big data of music”, while Spotify provides the playlists, which maxes out at 300 tracks for the tool.The tool lets users manipulate a movable shape in order to rearrange a playlist based on tempo. You can choose from settings such as romance, party, exercise and work, choose a line that determines the pace of the playlist.”

The Echo Nest (2011) and Spotify (2012) are past SoundCtrl FlashFWD honorees… keep up with FlashFWD 2013 HERE

For the full story visit thenextweb.com

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The New Rockstar Philosophy kicks off crowdfunding campaign http://www.soundctrl.com/blog/2013/03/25/the-new-rockstar-philosophy-kicks-off-crowdfunding-campaign/ http://www.soundctrl.com/blog/2013/03/25/the-new-rockstar-philosophy-kicks-off-crowdfunding-campaign/#comments Mon, 25 Mar 2013 16:08:16 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7855 Matt Vonyo and Roshan Hoover are raising funds for a physical version of their acclaimed book The New Rockstar Philosophy: A Guerilla Blueprint for Digitally Conscious Artists. The book, which has been available previously, is “updated and revised for 2013.” There are a variety of different rewards for contributing, ranging from an interactive book app, [...]

Matt Vonyo and Roshan Hoover are raising funds for a physical version of their acclaimed book The New Rockstar Philosophy: A Guerilla Blueprint for Digitally Conscious Artists. The book, which has been available previously, is “updated and revised for 2013.”

There are a variety of different rewards for contributing, ranging from an interactive book app, sponsorship, or a personal brand consultation. Visit their indiegogo page to contribute and for more information.

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http://www.soundctrl.com/blog/2013/03/25/the-new-rockstar-philosophy-kicks-off-crowdfunding-campaign/feed/ 1 Spotify Planning Streaming Video Service http://www.soundctrl.com/blog/2013/03/25/spotify-planning-streaming-video-service/ http://www.soundctrl.com/blog/2013/03/25/spotify-planning-streaming-video-service/#comments Mon, 25 Mar 2013 15:35:18 +0000 SoundCtrl http://www.soundctrl.com/blog/?p=7851 By Nicholas Carlson – via Silicon Alley Insider Spotify, the on-demand music service, is planning a major change.According to two sources briefed on the company’s plans, Spotify intends to become an on-demand music and video service – one that would invest in original content and compete heads-on with Netflix. Read full story at Silicon Alley Insider

By Nicholas Carlson – via Silicon Alley Insider

Spotify, the on-demand music service, is planning a major change.According to two sources briefed on the company’s plans, Spotify intends to become an on-demand music and video service – one that would invest in original content and compete heads-on with Netflix.

Read full story at Silicon Alley Insider

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