Artist Disruptor (Week 4)

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Artist Disruptor: Colin Munroe

Colin Munroe developed his passion for music at a young age, and has been writing songs ever since. Exploding onto the American scene from Toronto, Colin Munroe has already released 14 singles featuring the likes of Wale, Jim Jones, and Drake.  With a fresh new style, Colin’s first album Don’t Think Less of Me incorporated the sounds of The Beatles, U2, Van Morrison, hip hop and soul. What is it that makes this artist worthy of being dubbed an “Artist Disruptor?” Find out more here… http://www.myspace.com/colinmunroe

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Spotify, Napster and The Quest For Premium Music Dollars

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This guest post on the struggles of online music services to reach profitability is written by Michael Robertson, the founder of music sites MP3.com and MP3Tunes, as well as a number of non-music related startups like Gizmo andDealipedia. As one of the first entrepreneurs to battle the music labels over an online service, he has a unique perspective on the scene.

A new music service called Spotify has attracted millions of users in a short time with the enticing lure of listening to any common song on your computer free. Meanwhile, the digital music grandpa Napster has quietly launched a $5 service that offers unlimited streaming plus free MP3 files.

A closer examination reveals that Spotify has raised tens of millions of dollars, given equity to the record labels, is under constant attack by hackers, uses clever P2P technology, is accruing enormous per song royalty obligations and has the seemingly impossible task of figuring out how to generate enough money from a free ad model to satisfy the music companies.

Here’s my admittedly biased look at both companies:

Click here to read more…

Author:  Anonymous Guest Author

Source: Techcrunch

Artist Disruptor (Week 3)

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Artist Disruptor: QuestLove

You may now see him bantering with Jimmy Fallon nightly on his late night talk show, but Questlove is best known as the drummer from the Grammy Award winning hip hop group “The Roots.”  Having produced tracks for Eryka Badu, Little Richard, and Al Green, Questlove’s unbelievably fresh and unique sound has distinguished him as one of the greatest of all time. Besides music, QuestLove is also amazingly in touch with his fan base, with over 9,000 followers on Twitter, many of whom he personally replies too.  To hear more of Questlove and the roots music click here http://www.myspace.com/theroots

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Inside BigChampagne’s Music Panopticon

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bcredIn the old days, music industry insiders could get a pretty good idea of what was happening in “the biz” by watching various gatekeepers in radio, television and retail. Today’s socially-networked music scene presentsgreater opportunity to analyze anonymous listening usage, but it’s harder than ever to keep tabs, as fickle audiences migrate between online music outlets — many of which offer similar catalogs.

BigChampagne gets real-time data feeds deeper than what is surfaced to consumers on various services: iTunes, broadcast radio, Last.fm, retail outlets, Rhapsody, and file-sharing networks. It collates this data so that music and marketing people from interns to executives can see what we’re listening to on various networks, allowing them to plan tours, choose singles, and figure out where to advertise. Continue reading…

Author: Elliot Van Buskirk

Source: Wired

The Album Is Dead, Long Live the App

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The iTunes music store sells single songs at approximately the same price, with artist presented in more or less the same way.

Apple’s app store, however, is still somewhat like the wild west (at least as far as music goes), where the rules are being made up in real time. Artists and labels can sell music alongside other digital offerings through the app store at any price from zero to $999.99.

As we suggested last summer, this creates an opportunity for artists and labels to distribute a new type of product, especially because the app store concept is spreading to other mobile phone platforms.

On Monday, six of the 20 most recently submitted music apps to appear in the App Store featured a single artist: Jason Carver, Jessica Harp, Jimmy Cliff, John Butler Trio, Kadence, or The Cribs. Each showcases music videos, photos, news, photo-jumble games, concert listings, and/or community features that let fans share photos with each other. And all of them were made with iLike’s iPhone app toolkit — as was Ingrid Michaelson’s app, pictured to the right.

Since iLike launched the service in May, about 250 of the over 300,000 artists with access to iLike’s dashboard feature have launched customized iPhone apps through the system.

“We’re encouraged by the positive response our create-your-own-app platform has generated, and this is only the beginning,” said iLike CEO Ali Partovi. (The company also announced a new version of its Local Concerts app on Tuesday, with concert listings based on your music library, push notification for shows, maps to venues, and concert information sharing.)

These artist-specific apps, which labels also develop in-house, place a constantly-updating tattoo on fans’ phones. It’s like having a music subscription, but in the sense of a fan club, rather than in the sense of subscribing to music in general as one would with Rhapsody.

iLike’s music apps are free and promotional. Other apps contain full songs, and cost money.

Dave Dederer, former singer and guitarist for the Presidents of the United States of America and current Melodeo business development vice president, released one of the first of these, which charged $3 for four albums plus exclusive material. His company sells another $3 app containing streaming versions of top 100 hip hop songs in the iTunes store (iTunes link).

The app store broke the rules for selling music through iTunes, and the ramifications of that are beginning to be felt. Now that iLike has allowed app creation to scale across hundreds of thousands of bands, and other mobile platforms are emulating Apple’s modular app concept, the artist-specific app could — in addition to being the new MySpace page — become a formidable music format in its own right.

If that happens, the idea of buying a bundle of music won’t die with the album — it will survive with the app.

link: http://www.wired.com/epicenter/2009/08/the-album-is-dead-long-live-the-app/


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